濟南視頻拍攝：短視頻8大運鏡技巧一文全掌握

　　有沒有覺得自己的視頻總是玩不出花樣？

　　Do you feel that your videos always lack creativity?


　　視頻、角度、鏡頭毫無章法？

　　Is the video, angle, and lens disorganized?

　　拍了半天全是用不上的廢片？

　　After shooting for half a day, it's all useless waste footage?

　　無論什么樣的視頻，電影、電視劇又或者短視頻也好，運鏡拍出來的視頻要比固定機位更有張力，那是因為運鏡可以展現(xiàn)出更多的場景元素。而在內(nèi)容呈現(xiàn)當(dāng)中，大家如果一味地使用固定機位拍攝多個鏡頭，久而久之，觀眾會感覺畫面有些許的呆板。

　　Regardless of the type of video, whether it's a movie, TV series, or short video, videos shot with a camera in motion have more tension than those shot with a fixed camera position because it can showcase more scene elements. In the presentation of content, if people blindly use fixed camera positions to shoot multiple shots, over time, the audience will feel that the picture is somewhat stiff.

　　想拍出個性有吸引力的視頻，運鏡是最基本技巧之一。今天分享8種常規(guī)運鏡手法:推、拉、搖、移、跟、甩、升、降，新手也能拍出屬于自己的微電影。

　　Moving the camera is one of the most basic skills to shoot videos with attractive personalities. Today, we will share 8 common camera techniques: push, pull, shake, move, follow, shake, lift, and lower. Even beginners can create their own microfilms.

　　1.推鏡

　　1. Pushing the mirror

　　推鏡頭就是鏡頭指向拍攝對象，攝影師本人不斷走進拍攝物體并進行拍攝。推鏡運動的方式就是向前穩(wěn)定推進，或者我們用變焦的方式使畫面放大。

　　Pushing the camera is when the lens is directed towards the subject being photographed, and the photographer continuously walks into the subject and takes photos. The way of pushing the mirror is to steadily advance forward, or we can zoom in to enlarge the image.

　　他的作用，就是起到強化畫面的某個人或物，強行將觀眾的視線，從雜亂無章的環(huán)境當(dāng)中，集中在畫面的主要被攝物上。

　　His role is to reinforce a certain person or object in the picture, forcibly focusing the audience's gaze from the chaotic environment on the main subject of the picture.

　　2.拉鏡

　　2. Pull the mirror

　　攝影由近而遠向后移動離開被攝對象，取景范圍由小變大，被拍對象由大變小，與觀眾距離逐步加大。

　　Photography moves away from the subject from near to far, the framing range increases from small to large, the subject decreases from large to small, and the distance from the audience gradually increases.

　　畫面的形象由少變多，由局部變化為整體。在景別上，由特寫或近、中景拉成全景、遠景。拉鏡頭的主要作用是交代人物所處的環(huán)境。

　　The image of the screen changes from less to more, from local to overall. In terms of scenery, it is drawn from close ups or close ups to create panoramic or distant views. The main function of zooming in is to explain the environment in which the character is located.

　　3.搖鏡

　　3. Shake the mirror

　　這種運鏡方式，相機不作移動，借助于活動底盤使鏡頭上下、左右、甚至周圍跟隨被拍對象，就像人的目光跟隨著被拍對象。搖鏡頭在描述空間、介紹環(huán)境方面有獨到的作用。

　　This camera movement method uses a movable chassis to make the lens follow the subject up, down, left, right, and even around, just like a person's gaze following the subject. Shaking the camera has a unique role in describing space and introducing the environment.

　　左右搖常用來介紹大場面，上下直搖常用來展示高大物體的雄偉、險峻。搖鏡頭在逐一展示、逐漸擴展景物時，還使觀眾產(chǎn)生了身臨其境感。

　　Left and right shaking is often used to introduce grand scenes, while vertical shaking is often used to showcase the grandeur and steepness of tall objects. Shaking the camera gradually expands and displays the scenery one by one, creating a sense of immersion for the audience.

　　在搖鏡拍攝運動中的角色時，相機的運動一定不能比角色早，不然就會像攝像和演員串通好了，鏡頭是觀眾的眼睛，這些都會讓觀眾感覺到假。

　　When shooting a character in motion with a camera, the camera must not move earlier than the character, otherwise it will be like the camera and actor colluding, and the lens is the audience's eyes, which will make the audience feel fake.

　　4.移鏡

　　4. Moving the mirror

　　相機沿著水平方向作左右橫移拍攝的鏡頭，類似生活中的人們邊走邊看的狀態(tài)。移鏡頭同搖鏡頭一樣能擴大視覺空間，但因機器不是固定不變，所以比搖鏡頭有更大的自由，能打破畫面的局限，擴大空間。

　　The camera is a lens that moves horizontally from side to side, similar to the way people in daily life look while walking. Moving the camera can expand the visual space just like shaking the camera, but because the machine is not fixed and unchanging, it has greater freedom than shaking the camera, breaking through the limitations of the image and expanding the space.

　　移動拍攝的效果是最靈活的，但弊端是相機抖動不好控制，很多人拍出來五毛錢效果，這時就要用到穩(wěn)定器，穩(wěn)定器通過機身馬達和旋轉(zhuǎn)軸來控制相機移動和旋轉(zhuǎn)。

　　The effect of mobile shooting is the most flexible, but the downside is that camera shake is difficult to control. Many people get a 50 cent effect when shooting, and a stabilizer is needed. The stabilizer controls the camera's movement and rotation through the body motor and rotation axis.

　　5.跟鏡

　　5. Follow the mirror

　　跟鏡頭是指攝像機跟隨被拍攝對象運動狀態(tài)下進行拍攝，鏡頭跟拍使處于動態(tài)中的拍攝對象在畫面中保持不動的位置，而前后景在不斷的變化。

　　Following the lens refers to the camera following the motion of the subject while shooting, keeping the subject in motion in the frame while the foreground and background constantly change.

　　比如說大家經(jīng)常看到的探店視頻會用到這個手法拍攝，主人公先是說今天我來到某某地方吃牛排，大家跟我走著，然后攝影師跟隨主人公拍攝，進入到店里，接下來發(fā)生的事就是吃飯啊或者是店內(nèi)裝修的新事件。

　　For example, the commonly seen store exploration videos often use this technique for filming. The protagonist first says that today I came to a certain place to eat steak, and everyone walked with me. Then the photographer followed the protagonist to shoot and entered the store. The next thing that happened was a meal or a new event in the store decoration.

　　這種運鏡方式?jīng)]有固定的規(guī)則，只要跟隨主人公即可，當(dāng)然，在電影當(dāng)中，他的拍攝手法，也可以采用多鏡頭組合跟隨的方式。

　　There are no fixed rules for this type of camera movement, as long as you follow the protagonist. Of course, in movies, his filming technique can also use a combination of multiple shots to follow.

　　6.甩鏡

　　6. Swing the mirror

　　甩鏡頭是指一個畫面結(jié)束后，鏡頭急速搖轉(zhuǎn)向另一個方向，中間搖轉(zhuǎn)的過程中拍攝下來的內(nèi)容模糊不清。這個過程比較符合我們?nèi)搜鄣囊曈X習(xí)慣，甩鏡頭可以強調(diào)空間的轉(zhuǎn)換和同一時間內(nèi)，不同場景所發(fā)生的并列情景。

　　Swinging the camera refers to the rapid rotation of the lens in another direction after the end of a frame, with the captured content becoming blurry during the middle of the rotation. This process is more in line with the visual habits of our human eyes. Swinging the camera can emphasize the transformation of space and the parallel scenes that occur in different scenes at the same time.

　　甩鏡頭要求一定的節(jié)奏和速度，對攝像師的要求也比較高。在具體拍攝時要注意甩的方向、速度和過程的長度，應(yīng)與前后鏡頭相一致。

　　Swinging the camera requires a certain rhythm and speed, and the requirements for the cameraman are also relatively high. When shooting, pay attention to the direction, speed, and length of the swing, which should be consistent with the front and rear lenses.

　　7.晃鏡頭

　　7. Shake the camera

　　相比之前所列舉的運鏡技巧，晃鏡頭在實際應(yīng)用中運用的并不算多，在一些特定的場景中晃鏡頭有著獨特的作用?；午R頭是指在拍攝過程中，攝像機機身做上下前后搖擺的拍攝，常用作主觀鏡頭，產(chǎn)生強烈的震撼力和主觀情緒，如精神恍惚、車輛顛簸等等。

　　Compared to the previously listed camera movement techniques, shaking the lens is not widely used in practical applications and has unique effects in certain specific scenarios. Shaking the camera refers to the process of the camera body swinging up, down, back, and forth during the shooting process, often used as a subjective lens, producing strong shock and subjective emotions, such as mental confusion, vehicle bumps, and so on.

　　主要應(yīng)用在特定環(huán)境當(dāng)中，分為臨場感晃動和模糊光暈晃動，前者增加臨場現(xiàn)實感，后者增加鏡頭美感。

　　Mainly used in specific environments, it is divided into on-site shaking and blurred halo shaking. The former increases the sense of on-site reality, while the latter increases the aesthetic appeal of the lens.

　　以上幾種鏡頭技巧在實際拍攝過程中并不是孤立存在的，結(jié)合運用會使影片有著更好的運動效果，構(gòu)成豐富多彩的綜合運動鏡頭效果。選用技巧時，應(yīng)根據(jù)實際需要而選擇，切忌無目的的濫用鏡頭技巧，這樣只會影響前后鏡頭的一致性并且讓觀眾損失觀感。只有掌握了拍攝技巧，加以實操演練，實現(xiàn)在日常的視頻拍攝中，才可能向更高的一層邁進。

　　The above camera techniques do not exist in isolation during the actual shooting process. Combining them can create better motion effects in the film, forming a rich and colorful comprehensive motion camera effect. When selecting techniques, they should be chosen according to actual needs, and indiscriminate abuse of camera skills should be avoided. This will only affect the consistency of the front and rear shots and make the audience lose their perception. Only by mastering filming techniques and practicing them in practice can we move towards higher levels in daily video shooting.

　　8.升鏡

　　8. Elevating mirror

　　升降鏡頭是指攝像機上下運動拍攝畫面，從多個視點表現(xiàn)場景的辦法。包括垂直方向、斜向升降以及不規(guī)則升降。改變攝像機的高度和俯仰角度，創(chuàng)造更加豐富的視覺感受。

　　Elevating lens refers to the method of a camera moving up and down to capture images and present scenes from multiple viewpoints. Including vertical, diagonal, and irregular lifting. Change the height and pitch angle of the camera to create a richer visual experience.

　　如果在速度和節(jié)奏方面適當(dāng)，則可以創(chuàng)造的表現(xiàn)一個主觀事物的情緒，與其他拍攝技巧相結(jié)合運用則可以表現(xiàn)出豐富的視覺效果。

　　If the speed and rhythm are appropriate, it can create emotions that express a subjective thing, and when combined with other shooting techniques, it can produce rich visual effects.



　　9.降鏡

　　9. Lowering the mirror

　　降鏡的運動方式就是鏡頭緩慢下降。通常用來形容新事件的展開，由大場景環(huán)境帶入到角色入場；

　　The motion mode of the camera is to slowly lower the lens. It is usually used to describe the unfolding of a new event, brought into the character's entrance from the larger scene environment;

　　以上就是八種充滿藝術(shù)感的運鏡方式了，當(dāng)然一個視頻想要做的好不僅僅靠運鏡，還需要你掌握更多的、專業(yè)的拍攝和剪輯技巧。

　　The above are eight artistic ways to manipulate the camera. Of course, what you want to do with a video is not just rely on camera manipulation, but also require you to master more professional shooting and editing skills.